Design & Thinking Documentary Redux

Design&ThinkingMarquee

Design & Thinking at the Rialto, Raleigh

by Rebecca Cochran

Last evening, I had the pleasure of a second viewing of the documentary, Design & Thinking. My initial viewing of the film was nearly a year ago at the North Carolina screening premiere in Greensboro. Last night’s screening was arranged through the Raleigh chapter of AIGA. The excellent opening remarks were given by David Burney, CEO of New Kind and former VP at Red Hat.

The film is very well done with an energizing soundtrack and inspiring interviews with designers from a variety of disciplines. I particularly enjoyed the spots featuring writer and former Dean of the Rotman School of Management, Roger Martin, IDEO’s David Kelley and Udaya Patnaik of Jump Associates. Each is a clear communicator and truly passionate about design thinking. I included excerpts from them and many others in my 2012 post on the film.

Despite some recent nay-sayers who’ve suggested that design thinking may already be a thing of the past, my take is this. It doesn’t matter what term we use (if we use one at all). What does matter is that each and every one of us, no matter what our role in business, can and should learn to be designers. In fact, we should become design do-ers. Whether we’re designing things or designing services, rapid prototyping and failing early and cheaply are the best ways to discover the customer’s true needs. Or, as Innosight’s Clayton Christensen has been reminding us for decades, how to determine the customer’s job to be done.

My Accidental Direct Mail Lesson

by Rebecca Cochran

A couple of weeks ago, I had a minor car accident. Someone ran a stop sign and plowed into my left front bumper. Luckily, neither I nor the other driver was injured.

As this was my first (and hopefully, last) auto accident, I was unprepared for the deluge of direct mail I’d receive at my home. As soon as the police report was made public, I was inundated.Mail

As a marketing professional, I was immediately intrigued and a bit surprised. I’ve often heard (and even used) the phrase, “Your direct mail piece needs to stand out in a crowded mailbox.” And, yes, several of the envelopes I received stood out. One envelope was bright yellow. Another was red. One was thick, oversized and expensive. Several of the envelopes had the words “free gift” printed on the outside. There was one postcard (for a quick read), offering me a free biscuit if I acted today. The senders were mostly attorneys, chiropractors and auto body shops.

But, none of these envelopes or messages stood out in my mailbox.

Why? Because they all arrived on the same day. All thirteen were crammed into my small mailbox on the same day. My first reaction, since I had to work very hard to extract them from my tiny, overstuffed box, was to toss them all out immediately. They were creased, folded, torn and tattered. Instead, I decided to try to learn something from the experience of being on the receiving end of 13 simultaneous direct marketing campaigns.

Sure, a colorful envelope, a clever message, a free gift, even a biscuit might sway some to act. But, did any of the business owners consider timing? In this case, being there first was akin to not being there at all. I have to admit that I did not open a single envelope.

I wonder … If I had received a single direct mail envelope the following day, would I have opened it? Probably.

How would you have responded in a similar scenario? I’d love to hear your impressions.

This post was originally published in January, 2013.

Collaboration in the arts

Designing and producing a chamber music residency

In partnership with state and local arts councils, communities, educational institutions and a major corporation, this weeklong chamber music residency brought the world-renowned Ying Quartet to a culturally underserved region of North Carolina.

Events ranged from informal concerts and lecture-demonstrations, to student master classes and appearances at community and senior centers. The week was capped off by a full public recital. I enjoyed interfacing closely with the artists and their management representatives.

by Rebecca Cochran